publications, events, artist in residence 1997-2001

2001:

• Brill, Louis, Comin' At Ya. November, Signs of the Times. pp102
  
• Gustovson, Denise. "It's Not Just Paper Anymore. November, Modern Repro Graphics, pp32
  
• PRINTMAKING NOW, Brooklyn Museum of Art, NY, NY, June 2001
  
• BEYOND THE DIGITAL PRINT 2001: A Digital Atelier® Printmaking Workshop, Rocky Mountain Digital Art Center, Denver, CO May 2001
  

2000:

• The Daily, Seybold Seminars San Francisco, "Digital Atelier artists strut latest stuff in imaging", August 30, 2000, Vol.1 No.5, p 10
  
• Threinen-Pendarvis, Cher. The Painter 6 WOW! Book. Peachpit Press, Berkeley, CA 2000, pp 322, 324, 328-329, 330-331, 334-335, 342-343.
  
• Kitchen, Linda. "Solving the World's Digital Media Problems", Signs of the Times, July 2000
  
• Hagan, Debbie. "Collective Visions", Digital Fine Art, Summer 2000, p26-31.
  
• Maber. Marie. "DPI Association Show Features Fine Art Track", Digital Fine Art, Summer 2000, p8
  
• Thrienen-Pendarvis, Cher. The Painter 6 WOW! Book. Peachpit Press, Berkley, CA, 2000
  
• The Daily, Seybold Seminars Boston, "Digital Atelier Showcases Portfolio of Lenticular Prints", February 9, 2000, Vol.1 No.1, p 8
  
• Catalog, timeXposure: explorations in time, space and movement, Xerox, Rochester, NY, 2000Presentation, "New Media/New Aesthetic" Ink Different: Southern Graphics Council, University of Miami, FL, March 4, 2000
  
• Presentation, "The Fine Art of Pushing the Edge", DPI 2000, Dallas Texas, March 9, 2000
  
• Gerard, Alexis and Paul Worthington. The Future Image Report, "Holography, Lenticular and More: NEW Techniques Move 3D off the Screen", Volume 7 Issue 7, pp6 - 7
  
• Hagan, Debbie. "Digital Imprint", Market Talk, Art New England, February/ March 2000, p 15
  
• Williams, Patti. "Painting the Market: Digital Fine Art", Digital Output, February 2000, Cover, pp14-17
  
• Hagan, Debbie. "Printing Technologies Offer New Choices", Art Business News, February 2000, pp 1, 92 - 94
  
• McQuaid, Cate. ""TimeXposure Dazzles as Delicious Eye Candy", The Boston Globe, Thursday, January 6, 2000 pp E7-E8
  
• Beale, Stephen. "Lenticular Art Comes of Age, Digital Fine Artists Experiment with Old Printing Technique" Macworld, January 2000, p27
  

1999:

• "The heARTland project", Contemporary Impressions: Journal of the American Print Allicance, Vol. 7, No. 2, Fall 1999, p22
  
• Hughes, Jonathan. "Talking (Photo) Shop", Digital Imaging, November 1999, p. 12
  
• "Show Floor Activities; Digital Atelier" Seybold Seminars Boston Publishing 2000 Special Edtion for Alumni p 5
  
• Kraft, Jennifer. "Tales from the Wired Life", E-GEAR for the Wired Life, Winter 1999 p 30
  
• Solberg, Kirsten. "Digital Salon", Leonardo, Vol 32 No 5 1999 p 426
  
• Presentation,"heARTland Portfolio by Digital Atelier" The Laura Knott Art Gallery, Haverhill, MA, September 1999
  
• Krause, Dorothy S., "Exploring Lenticular Prints", Digital Fine Art, Fall 1999 pp 44 - 48
  
• Gollifer, Susan. "Artist Space", Digital Creativity, Vol 10, No 1, pp 37- 51
  
• Romano, Richard. "Digital Artists Go Deep with Lenticular Imaging", Micro Publishing News, Show Daily, Seybold Seminars, September, 1999
  
• Nordgren, Ake. "Ake on Tour" EFX Art & Design: Seybold, Summer 1999, Issue 27, p 52
  
• Electronic Photography News, Ink Jet Market, Summer 1999
  
• Ross, Terri. American Textiles International, June 1999
  
• Seybold Seminars 1999, The Digital Atelier™: timeXposure:explorations in time, space and movement, San Francisco, CA, September 1999
  
• Connor, Susan. "Digital Application Brief", Signs of the Times, June 1999, p 20
  
• "Digital Portfolio; Fashionable Fine Art", The Big Picture, May/June 1999, p 48
  
• Hadden, Jennifer. "Lenticular Images", Digital Graphics, June/July, 1999, p 2
  
• Wood, Colin. "Limited Editions Unlimited Potential", Design Graphics. No 43, 1999, p 18.
  
• Hagan, Debbie. "On the Edge: The Digital Atelier's experimental works are broadening art horizons", Digital Fine Art, Vol I, Issue II, Summer 1999, pp 26-31.
  
• Smith, Mark. "Digital Group to Show at Boston's Danforth Museum", Micro Publishing News, May 1999, pp1-2
  
• Presentation,"heARTland: Prints from the Digital Atelier" Danforth Museum of Art, Framingham, MA, February 19 - May 23
  
• Walsh, Peter. "Artists in Cyberland", Museums Boston, Spring 1999 Vol 3, No 2, p 83
  
• Kooker, Naomi R. "Techno Talent", Metro West Daily News, April 25, 1999
  
• O'Reilly, Norma. "Exhibition at Dana Hall", The Wellesley Townsman, April 1, 1999, p 32
  
• "Digital Portfolio; Cube with a Pseudoview", The Big Picture, March/April 1999, p 44
  
• Foreshew,Jennifer. "Taking Technology to the heARTland", The Australian, Computers Tuesday, March 9, 1999 p 7
  
• "The Big Squeeze", Digital Graphics, March 1999, p 58
  
• Hainer, Pattie. "Marshfield Home Is Where the Art Is", The Patriot Ledger, Sat/Sun, Feb 6/7, 1999 p 12
  
• Seybold Seminars 1999, The Digital Atelier™: Printmaking for the 21st Century, Boston, MA, March
  
• Connor, Susan. "Just Press Print", Signs of the Times, February 1999, pp 96-102, 104
  
• Taylor, Jane. "Profile: Karin Schminke", Rangefinder, February 1999 pp 34-37. 62-63.
  
• "Art Show" Publish, February 1999, p 18
  
• Presentation, "heARTland experimental digital prints", Emmanuel Gallery, Denver, CO, January/February
  
• "Digital Hall of Fame; Digital Atelier at Seybold", Mac Art & Design, Issue 25 Winter 1999, p 4
  

1998:

• Lhotka, Bonny. "In My Studio", Digital Imaging, Nov/Dec 1998
  
• O'Rourke, Judith. "Collaborative Printmaking at Littleton Studios", Contemporary Impressions: The Journal of the American Print Alliance. Vol 6, No 2, Fall 1998, pp 27-29
  
• "Exit Digital Urbanity" PC Photo, November 1998, p 118
  
• "Portfolio: Vitreographs from the Littleton Studios", Glass, the Urban Glass Art Quarterly, No 72, fall 1998, pp 18-25
  
• Schipper, K. "On the Job: The Art of the Fence", Digital Graphics, October 1998 pp 59-67
  
• Digital Artists Win Recognition at Seybold Awards Ceremony " Digital Imaging, October 1998 p 12
  
• Griffith,David "Media Cool The digital fine-art printing market explodes with new equipment, substrates and ink" Digital Imaging, October 1998 p 42-45
  
• "Portfolio: Vitreographs from the Littleton Studios", Glass, the Urban Glass Art Quarterly, No 72, Fall 1998, pp 18-25
  
• Falconer Byrd, Joan. "Littreography" Fall 1998 pp 37-49
  
• "News Beat: Art Show", Publish, October 1998, Vol. 13, No. 10, p 22
  
• oHerman Miller, Inc., Holland, MI, October 11-23
  
• Seminar: Beyond the Digital Print, Global Imaging, Lousville, CO, September 25
  Presentation, "Collaboration and the Digital Print", IAFADP, Gallery 16, San Francisco, CA, September 3
  
• Curator, Fusion, Women's Caucus for Art, University of Massachusetts, Boston, MA
  Presentation, The Digital Atelier™: Printmaking for the 21st Century, Seybold Seminars San Francisco, September
  
• Harper, Talitha. "Holding fast to the human touch", Step-By-Step Graphics, Vol. 14, No. 3, pp 94-10
  
• Miller, Julie. "Profile - Bonny Lhotka Tradigital Artist", Rangefinder, July, 1998, cover pp 8-12, 16,18, 41
  
• Schminke, Karin. "In My Studio" Digital Imaging, June 1998, p 20-22.
  
• Harris, Mark Edward. "New Perspectives- Karin Schminke" PCPhoto, (May/June 1998), p 46-51, 84.
  
• oLittleton Studios, heARTland, Spruce Pine, NC, May
  
• oMassachusetts College of Art, Beyond the Digital Print, Boston MA, April
  "The Digital Atelier and The Unique Editions", News, small talk, rumors & bulletins, Mac Art & Design, March 1998, p 5
  
• Presentation, The Digital Atelier™: Printmaking for the 21st Century Seybold Seminars 1998, New York, NY, March 18-20
  
• Presentation, The Digital Atelier™: Printmaking for the 21st Century, Artexpo 1998, New York, NY, March 5-7
  
• King, Jennifer. "Linking Art with Computers", The Artist's Magazine, Vol. 15 No 2, February 1998, p 69
  
• Hadden, Jennifer. "Fine Art and Digital Printing; Realizing A Vision", Digital Graphics, Jan/Feb 1998, p 46-52
  
• Joss, Molly. "Designing for Wide-Format Output", Digital Design and Production, Jan/Feb 1998, p 26 - 27
  
• oThunderbird Graphics, Everybody's Tabernacle, Clearwater, FL, January
  Jones, Bill. "In the Beginning", Hands on Paper, Vol. 1, No 1, January 1998, pp 8-1
  

1997:

• Nichoson, Mark. "Art for Art's Sake", Publish, Vol. 12, No 12, December 1997, pp 72-73, 75-78
  
• Landi, Ann. "Material Developments" ARTnews, Vol. 96, No 10, November 1997, pp 204-205
  
• "Smithsonian Showcases future of print", Print & Graphics, Vol. 18, No 10, October 1997, p 1
  
• Gorfinkle, Constance. "Computer gives Marshfield artist a different image" The Patriot Ledger, October 18/19, 1997, p 35
  
• Joss, Molly W. "Computer Artist; Digital Art at the Smithsonian" Electronic Publishing, Vol. 21 No. 10 Oct. 1997, pp 42-43
  
• Fifield, George. "Art & Technology The Digital Atelier" Art New England, Vol. 18 No 6 October/November 1997, p 5
  
• King, Sheri. "Does Tradigital Art Belong in Traditional Museums?" The Big Picture, Vol. 2 No. 4 October 1997, pp 98 - 104
  
• "Digital Artists Set up Shop at the National Museum of American Art" Digital Imaging, Sept/Oct 1997, p 20
  
• Hayden, Niki. "Within the Cyber Studio" Boulder Daily Camera, September 1997
  
• Presentation, The Digital Atelier™: Printmaking for the 21st Century, Seybold Seminars, San Francisco, CA, September
  
• Gentry, Lorna. "Mainstreaming Digital Art: Bringing Imaging to the Masses", Photo Electronic Imaging, Vol. 40 No. 9, Sep., cover, pp 8-12
  
• Haun, Gregory Cosmo, Forward by Karin Schminke, Photoshop Collage Techniques, Hayden Books, pp 1-3, 1997.
  
• "Exploring the New Terrain of Printmaking", Perspectives, Fall 1997, No. 33, p 13
  Eisenberg, Daniel, et.al., "Digital Arts and Media: Vision of Bytes", TIME Digital, July/August 1997, p 13
  
• Kowalsky, Elaine. "ArCade II: a Review" Outline, Issue 3: June 1997, pp 17-20.
  
• McQuaid, Cate. "Getting Virtually Punchy on Pixels", The Boston Globe, June 19, 1997, pp E5, E6
  
• oWork/Tank Think/Shop: Media for the New Millennium, Vinalhaven Press & Foundation, Vinalhaven, ME August
  
• oNational Museum of American Art, Smithsonian Institution, Digital Atelier: printmaking for the 21st century, Wash., DC, July
  
• Getting the Work Out: Unique Editions™ on the WEB, Panel Participant, 5th National Conference of Women in Photography, Simmons College, Boston, MA, June 7
  
• Steinberg, Norma S. "The Digital Print", Contemporary Impressions: The Journal of the American Print Alliance. Vol. 5, No. 1, Spring 1997, cover, pp 6-10
  
• Bezdechi, Ivars. "Material Magic", Digital Printer, April/May 1997 pp 19-23
  
• What's Yours is Mine, Panel Participant, University of MA, Dartmouth, MA, April
  Presentation of work, Northeastern University, Boston, MA, April
  
• "Fractal Design Gallery", Photo Electronic Imaging, March 1997, pp 26-30
  
• "Digital Gallery", Digital Imaging, March 1997, p 34
  
• Fifield, George. "Art & Technology: The Iris Revolution", Art New England, Feb- March 1997, p 8
  
• BEYOND THE DIGITAL PRINT 2: An Experimental Printmaking Workshop for Digital Artists, Program Coordinator, Massachusetts College of Art, Boston, MA, March
  Think It/ Ink It, Technology Panel Participant, Graphic Studio, USF College of Fine Arts, Tampa, FL, March 6,
  
• "Digital Hall of Fame: Unique Editions", Mac Art and Design, Stockholm, Sweden, Vol. 4, No. 18, Winter 1997, pp 30-35
  
• "Digital Art Show Debuts at New Hampshire Prep School", Micro Publishing News, February 1997, p 5
  
• Presentation of work, Thomas Nelson Community College, Hampton, VA, January
  
• Presentation of work, PCTV, Newport, NH, January 13
  
• Purcell, Janet. "At CNJ, adventures in the digital world", The Times, Fri., January 31, 1997, p F17
  
• Hamm, Christine. "In Altered States: When art and technology collide digitally", Concord Monitor, January 30, 1997, p 1, D6

o Indicates Artist in Residency